Tony Leung Chiu-wai

Gong Li

Faye Wong

Takuya Kimura

Zhang Ziyi

Carina Lau

Chang Chen

Dong Jie

Maggie Cheung

Thongchai McIntyre

Wong Sam

Siu Ping-lam

Akina Hong

Farini Cheung Yui-Ling

Sabrina Cheung

Ching Siu-Lung

Jiang Xinyu

To-hoi Kong

Alice Lee

Siu Ming Lee

Fei-lin Miao

Berg Ng

Ben Yuen

Wong Kar-wai

Christopher Doyle

Kwan Pung-Leung

Shigeru Umebayashi

William Chang

Zhong-lun Ren

Chan Ye-cheng

Gilles Ciment

Kwan Lee-na

Law Pui-Yan

Alfred Yau

Paradis Films

Orly Films

Jet Tone Films

Shanghai Film Group

ARTE France Cinéma

Classic

Precious Yield

France 3 Cinéma

Block 2 Pictures

ZDF/Arte

Germany

Hong Kong

China

France

Italy

Women enter and exit a science fiction author's life, over the course of a few years, after the author loses the woman he considers his one true love.

Drama

Fantasy

Romance

Science Fiction

Chinese

Cantonese

Japanese

2046

protolexus’s diary entry for 2046

2046, the year my cohosts let me pick another movie. next on <a href="https://solo.to/70mm" rel="nofollow">70mm</a>.

slim’s ★★½ diary entry for 2046

2046… is that the title or the runtime? [holds for applause][Audience boos]More on a very special <a href="https://pod.link/70mm/episode/47e3dca9f0d3aee9fc747568d4f57150" rel="nofollow">70mm podcast</a>.

Dany’s diary entry for 2046

Wong Kar-Wai do your movies put me to sleep? More on <a href="https://solo.to/70mm" rel="nofollow"> 70mm.</a>

Ben Sandberg’s ★★★★★ diary entry for 2046

Is Days of Being Wild, In the Mood for Love, and 2046 the greatest trilogy of all time? Yes.

Robbles’s ★★★ diary entry for 2046

EwanS93’s ★★★★ diary entry for 2046

I drifted slightly towards the end but for the most part was very into this. So strange while dealing with feelings that are so universal it feels very real at the same time. Tony Leung Chiu-wai is so watchable.

Kev’s diary entry for 2046

** LB Roulette: Finally continuing my WKW journey thanks to Jordo! ** I don't know why I never got to 2046, the last disc in the massive, beautiful, impossible-to-reconfigure Criterion Wong Kar-Wai set, until now. Was I so satisfied by IN THE MOOD FOR LOVE? Was I scared to see if this follow-up stacked up? Am I just scared to finish things? Look, it's definitely the last one, but what's most important is that I'm here. Another breathtaking, dizzying heartbreaker by WKW, with many familiar themes, motifs, and ideas. Loved the device of the world of 2046/2047 to express what Chow was too clouded to understand in reality, and the arc of the realization of that truth through the many relationships that end up fathoming on the train. And how about the rehashes of ITMFL, back to back, right in the middle of the film, with the 2047 sequence inbetween? So much going on, so much to think about. Just lovely. I feel like I'll appreciate this one even more after another run through Kar-Wai's films. Although obviously a sequel to MOOD, there was so much here that reminded me of elements of each of WKW's other films up to this point that I wanted to go back immediately.